How Can You Deal With Feeling Vulnerable? (Video Interview)

Bodypainting is an extraordinary art form. Using the human body as the canvas for painting allows for some unique possibilities that can really WOW people. In New York City, it is legal for a bodypainter to use nude models because of a law allowing nudity when it is done for artistic purposes. Within the past decade, bodypainting has surged in popularity in NYC, with there even being an official Bodypainting Day.

While the models that bodypainters work with may appear comfortable in their skin, it doesn't mean they didn't feel vulnerable at first. Recently, bodypaint model Dara Swisher spoke about how she deals with feeling vulnerable when being a bodypaint model, especially in such a public place like in the middle of Manhattan.

Dara thinks that one of the most transformative aspects of bodypainting is its ability to change how the models being painted see themselves. They may sometimes look at themselves in the mirror and have negative self-talk about how they look. Yet, when they get painted, they transform into someone else...they become art. Their vulnerabilities melt away thanks to them turning into a canvas, a sculpture. Being camouflaged with body paint, even if you are standing on a busy sidewalk, can be all it takes to shed vulnerability. You shift how you think your body should be. You see it from the perspective that it is a vehicle for art. You can use it to express things in an extraordinary way.

Being vulnerable transforms into feeling empowered. You can be practically naked in the middle of a big city and feel like you belong in the spot you are standing. Rather than hoping people look away and stop giving you attention, you welcome it and invite the gaze of others upon the art you are displaying with your body. Being bodypainted allows you to take control of the narrative and invite people to look at you.

Bodypainting is an incredibly liberating, empowering, and enriching experience. With it only becoming more popular, it's something you should consider being a part of, like Dara has, especially if you want to unlock your personal confidence and power.

How do artists get their ideas? Here’s 5 creative sources

By Stephanie Bobak

Ah, art block: the bane of every artists’ existence. These are those terrible moments where your pencil gets shy and your brain decides to take a nap. If you’re an artist, I am sure you can relate to these art block struggles.

It seems that all artists have undergone these incapacitating periods; after all, generating ideas for the next great masterpiece has always been hard for creatives. Even the ancient Greek owed their random moments of inspiration to muses.

Nowadays, it seems like these muses make artists work even harder for their eureka moments! Luckily, there are lots of “modern-day muses” that can spark inspiration. Here are five resources you can use to fuel your next big idea:

1.) Other artworks

Pablo Picasso once said, “Good artists copy, great artists steal.'' Indeed, artists oftentimes utilize the works of others to inspire their next great masterpiece. By looking at artworks done in different mediums, styles, or centuries, you can take away key elements you enjoy and use it in your work. These elements may vary from themes to colors, and they can even be combined from different compositions. Although no one should directly copy another’s artwork, recycling ideas and applying your personal twist to them is encouraged. Creativity inspires creativity!

2.) Music, film, and literature

Have you ever listened to a piece of music and painted a mental picture of how the music “looks”? Or have you ever read a book so intense that you could visualize the scene clearly? Has a film ever left you questioning yourself or society? Other artistic mediums like music, film, and literature invoke a flurry of emotions to all those who listen, watch, or read. Visual artists can get great inspiration from powerful songs, films, or stories. Whether an art project is trying to capture the overall feelings of a song, an emotional scene in a movie, or the story told from a poem, there is no denying that these creative mediums are a modern day muse for visual artists.

3.) Your life experiences

Great artists are known for pouring out little bits of their soul into every piece they work on. No one feels life the way you do, so that may be why your personal experiences can create such powerful artworks. Perspective is unique to everyone, so your versions of heartbreak, joy, or anger are going to be totally different from the rest of the world. Whether you like to display these experiences in an abstract, realistic, or surreal style, show the world your stories in your own way. After all, you are literally the only person who can tell them.

4.) The world around you

Oftentimes, inspiration can be found right in front of you. Take in your surroundings, observe all the details, and see what inspires you! Maybe it’s the color of the wildflowers sprouting in a nearby field. Or maybe it’s the carved detailing on a wooden chair. There’s always emotion-provoking elements around you, so you might as well incorporate them into your next artisan piece. How about creating a painting that only uses the colors of those wildflowers you saw? Or what about a composition that incorporates those wooden chair carvings? There is majesty in all things-big or small! Observe the world around you and let its beauty flow through you.

5.) Your old ideas

If you’re an artist, you likely have a fairly large “idea graveyard”. Yup- this is the place where ideas that never materialized lay to rest. Luckily, there is absolutely no harm in looking through these once-dead ideas and bringing them back to life. Old ideas can still be useful for new projects even if you don’t incorporate the idea in its entirety. Maybe you liked the story you were trying to portray but never liked the way it looked once you sketched out the piece. That’s okay! Try something new with that idea and see how far it takes you. Many famous masterpieces underwent lots of rough drafts, so don’t be scared to keep building upon your old ideas. If you thought it would be a good idea then, it’s possible it could lead to an even better idea now.

“Inspiration exists, but it has to find you working.”

— Picasso

BONUS IDEA! Take a break or make a little every day

While it may sound contradictory, artists work cyclically and it’s important to respect where you are at today, guilt-free. Sometimes you’ll have to give yourself a break. Especially when your mind is clogged up. According to research, taking a break from mental tasks improve creativity (Oppong, 2017). If this break is skipped, it can lead to stress, exhaustion, or a lack of perspective about your own process and intent. You might feel inspired and ideas coming up while taking a break. At that point, your brain is working like it is supposed to, detecting and responding to changes in a working habit. Be sure to take some time off when needed.

Conversely, having a practice that puts in a little time every day- even if its something as simple as mixing paint or sketching a cup will cumulatively help you develop your skills and discipline towards a lifetime practice. Have fun- go to a drink and draw, make a painty game of Twister with your significant other, try whatever you think looks like the absolutely dumbest TikTok art challenge, try a craft from your childhood like making snowflakes or a popsicle ornament in July, put on a song in a room where you are alone and move your body in a flow that opens your heart, or make a cardboard sign that says “free social distanced hi-fives” and go have a 15 minutes “performance” on the street corner. One time I had artist block and was stuck in Paris so I hired a model and painted a croissant on her. Why not?!? There are no rules, just get in the flow and have fun.

Conclusion:

Art blocks can be hard to overcome, but remember that you are full of wonderful ideas. Sometimes, you just need that one special something to help bring your imagination out to play. Don’t forget to give your mind some time, and remember to take inspiration from the things you love. If this list happened to get some of your creative juice flowing again, let us know!

How Art Can Change the World: Zachary Koval Interview Video

Bodypainting, just like any form of art, gives us the ability to explore ourselves, our world, and how we interact with our space. We have the freedom to create unparalleled experiences that give us a deep, meaningful connection to our surroundings.

Recently, Trina sat down with one of her bodypaint models, Zachary Koval (who was also named PETA's "sexiest vegan") for a podcast episode to discuss bodypainting, our world, and how art fits into it. They touched upon multiple different topics, ranging from hotspots in New York to the rich history of bodypaint art. Here are three key takeaways from that discussion.

Bodypaint Art Has A Rich History

Camouflage, where an artist paints the human body to blend in (nearly entirely) with the background, is an exquisite art form. It turns out that this art has a rich history as a tool for peace. The heyday, as Trina explains, was in the 60s and 70s with an artist named Kusama from Japan. Its original intent was to promote love and peace, not war, which was going on all over the world (Vietnam, for example).

Bodypaint shows that we blend in with our surroundings. It defines how we are one with nature, with each other, and the world around us. It's the ultimate statement of togetherness, not separation. This art form, throughout history, has always reflected that.

New York City Is Alive With Energy For Artists Of All Persuasions

Zach and Trina, who are both from the west coast, both agreed that New York is the place to be for artists. There is an energy to this city, but more importantly, there are thousands of people living here who are just as passionate about your art as you are. It's a magnifying effect that creates possibilities that aren't available anywhere else in this world. If you're looking at the power of art to change our world for the better, New York is the place to be!

Art, Including Bodypaint, Has The Power To Challenge Perceptions

Bodypainting, in particular, is a unique art form. It challenges perceptions. Zach discusses in the podcast how bodypainting takes away the boundaries. You're putting a person into the environment, and, at first, you think you know what that image is. But then you see the model, and you realize there's something hidden. The image is still reality - it's an illusion in the sense that the paint lets the human body blend in with the environment - but it's real because it shows how we are one with our surroundings.

Zach put it best when he noted that "it makes people take a second look and see that things aren't always as they appear... we need to do more of that in this world before we jump to assumptions or jump to conclusions or opinions." Bodypaint gives people a moment to pause, reflect, and see that humans are part of something bigger and that we don't have knowledge of the whole picture until we pause and think about it.

Listen To The Podcast

There's more to the discussion than just these three points! If you're interested in the world of art, you should check out the podcast. It's full of insights, fun discussions, and lots of thought-provoking ideas!

Sexy Lingerie Bodypaint on New York Baker Tess Kaytmaz

What hesitation did you have about purchasing the body paint service?

I guess, for me, it would be the price. Not that it's not worth every single dime, in value. It's just a matter of I am a bread baker, so every single penny counts. Honestly, there's only so many things you're going to get to do in life. That's what I told myself. How many options am I going to get to do something like this?

How many chances will I do that? If this woman is willing to let me pay off one month at a time, before we do it, then, you know what? At this point in life, it's worth it. I get to record myself in the prime. That was probably getting over that hump, justifying that to myself, was the first hesitation. Well, probably the only hesitation because after that, it was just like, "Yep, this is what I want."

What specific feature did like about getting body painted?

I hate bras. I hate bras so much. They are the bane of my existence. They've always been the bane of my existence.  My friend, literally, had to force me to go bra shopping. The last time I went bra shopping, like, literally, forced me into the store and had to talk to the sales associate. The sales associate still didn't listen to what I needed, still measured me wrong. I cried three times and tried to leave. She forced me to stay, and she went and found me bras.

I hate it so much that I haven't worn bras in almost three to four years because my boobs went down from DDD to D to C to B, then back up to C, then back up to D. It's like I'm not spending $60 on a bra to do all of that, but I love it I think it's gorgeous. I think it's beautiful. I think it's super sexy. The only time I do put on a bra is for five minutes, before I seduce a person and bring them home.

Usually, they're already coming to my home, but that's besides the point. Those are the only times that I ever wear it. I wanted to do a photo shoot, but one, I find I'm really uncomfortable. I don't think I'd be able to handle lasting a whole photo shoot with a bra one.

Two, underwear tends to cut me really weird because I've got wide hips and a high waist. They never make underwear to do that, so it always cuts me in a weird way that's really unflattering. I don't enjoy it.

I like the fact that I could do the shoot, sexy as possible, in lingerie, while not having to wear a bra, at any point in time. That it fit me, perfectly, as is, and I don't have weird effects. It's colors that match my skin tone. It's a design that works for me. I could never find the bra that she painted on me. I would never be able to find that for someone with my size boobs, ever. That just would not have happened. 

It would have been nude, if it was anything, because they only make nude bras for big... That's an issue. I don't wear nude bras. I wear lots of low-cut shirts, and they only make bras that cover your whole boob. They don't give me the cleavage I want.

If I do want the cleavage, then I have to buy padded bras that make my boobs two sizes bigger. I don't need them to be bigger. It's just kind of like, "Cool. What am I going to do?"

The fact that I could design, create every single aspect of this, that I could show Trina three different lingeries, saying, "I want the back, butt of this. I want the top part of this, and I want the bra of that" and she could just create that, yeah. So worth it. I have spent much more money on bras than I did on this, to get this shoot.

Would you recommend Trina? Why or why not

Yes. It's not like a "What if" question. I have been recommending her. I send her Instagram to so many people. I mean, I'm like, "Look. She not only does this boudoir stuff, but she, literally, paints people into scenery. This is a genuine artist, and you get to be part of a genuine artist's collection of things. How cool is that?" It's not just some random person. She's super respectful, super kind.

There was no awkward point in her painting me. We met for the first time. I got naked, and she started painting me, in 15 minutes.

There was no awkward part about it. It's really hard to find someone where you can actually feel that comfortable about it. I'm fairly comfortable with my body, but I'm still not getting naked in front of just anyone. That's the really good part and a reason why I'd recommend her. Also, she's just really funny, so you get to have a fun shoot. It's as if you're hanging out with your friends, so that's one reason. Those are some of the main reasons why I would recommend her. Her talent aside.

Why you choose to work with Trina

I said this, before. I'd been following her on Instagram for a bit. Her work is just really gorgeous. For two years, her work has stood out to me. One, to get through the noise of Instagram and be someone that you remember, that I never met her and didn't know her, just, we happened to start following each other.

Following her artwork, respecting her as a person, so in two years, with all the politics going on, I could still respect her and who she is. I could admire her artwork, see how she's evolved. Yeah, I'm going to give my money to this kind of woman.

In 2019, I decided that, if I was going to ever splurge or spend money on things, I was, one, going to try and find women-owned companies, small companies and people who, what they're doing is really based on their living. That's how I would spend my money because I'm an anti-capitalist.  And I think, after that time, it just made sense to me that, "You know what? This is something I want to do."

It's not unheard of for me to work with photographers and artists, just for the fun of it. It felt in tune to who I was. I was like, "Okay. We're going to do this, now."

Is there anything else you would like to add?

Hire her. She's awesome, and you won't regret it.

Unusual Marriage Proposal: Nude Bodypainting in Times Square (Video)

Young couples ‘white gloved’ motto to advocacy on full display in Time Square

Buffalo, New York: Vegan social media influencers get engaged while body painted in New York City to bring awareness to cardiovascular disease. Alex Miller had a near fatal diagnosis of a 99% blocked left anterior descending artery at the age of 32. After having a stent placed, the couple went fully vegan and publicly documented their journey online. In less than two years, the couple, Alex Miller and Brittany Kruse, became bloggers, social media influencers, wellness advocates, brand ambassadors and inspirations for any one that suffers from chronic illnesses or simply interested in improving their diet. This crazy ride has also captivated their hometown, Buffalo New York, which is ironically known as the chicken wing capital of the world. This goes to show that sometimes you need to stand alone to stand out and that they did!   

In the New Year, a plant-based meal prep company, Food Nerd, approached the couple. Owner of the company, Sharon Cryan, was moved by their story and challenged them to 31-days of all raw foods, supplying them with breakfast, lunch and dinner. The couple discovered quickly that a diet high in raw foods drastically improved their energy and appearance as seen in the before and after pictures below. On the last day of their challenge, the couple became a major piece within an intricate New York City based project called the “Self-Love Campaign” sponsored by Food Nerd. This project involves 12 social media influencers that will be artistically transformed by well-known artist, Trina Merry. This campaign aims to have the public take a hard look at themselves, inside out with spotlighting preventive measures and self-education. The artist, Trina, was tasked with articulating their story for cardiovascular disease awareness, emphasizing on Alex’s 99% blocked “widowmaker artery. 

The week leading up to the big day brought about several unwelcome surprises, the biggest was a polar vortex, a blizzard in Buffalo NY, canceling and delaying flights followed by recorded breaking arctic temperatures for New York State. Little did Brittany know amongst the artistically based chaos and commotion of Times Square, Alex made secret plans to propose. Alex couldn’t think of a better way to ask her to marry him then body painted in Times Square for the world to see and to show her how much she means to him. After getting painted and transported to Times Square, Trina wrote “Will you marry me” on Alex’s painted back. Once Brittany saw the question, Alex properly dropped to a knee and proposed. With dozens of spectators accumulating among all the commotion, Brittany put on the ring and said yes. Alex later was recorded on camera explaining to the filmmaker on scene, “She has been by my side and supported our drastic lifestyle change 100% and I wouldn’t be the man I am today without her. I couldn’t imagine a more expressive and poetic moment that encompasses our story and us as a couple.”

About Your Company:

White Gloved Vegan is a movement to break stereotypes associated with veganism and inspire others to adapt a plant-based lifestyle. The “white glove” signifies that a vegan can be a class act high standing individual and not be ridiculed for going against society norms.” After making their positive lifestyle change, the couple was surprised to find that people didn’t receive it as well as they thought they would. In fact, they received stereotypical comments about becoming hippies and eating grass. Being high-standing citizens with professional careers, these labels surprised and offended them and they became downright determined to alter this narrow-minded way of thinking. Alex and Brittany also felt it was their duty to create a platform that could publicly display their trials and tribulations in hopes of helping those who also struggle and with that White Gloved Vegan was born.

www.whiteglovedvegan.com

Please find pictures below.

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

Photographer: Trina Merry

What's it like to be a bodypaint model? Interview with Emma Vega (video)

Hey guys, it’s Emma Vega and I’m a mental health specialist as well as a bodypaint model for Trina Merry. My favorite painting with Trina is definitely the boudoir photoshoot. Um, we found a amazing corset online and I was just so in love with it. And the only difference we made is she happened to make it my favorite color. Which was a really really special way to make that painting personal to me.

The moment of sharing doesn’t end with the photo shoot. There’s so much more that goes on after. When she posts on Instagram and you feel all the love from all her followers who are like “Oh my God that’s so amazing”. And if you’ve had a bad day there’s nothing like seeing um inspirational comments from women all around the world because Trina happens to have some of the best followers in terms of people who are just so positive. And if you’re feeling bad about yourself and you happen to do a project with her, the love that you feel after is just so immense. That, you know, is definitely something I would recommend.

At first, it’s scary. But not scary in a terrible, someones chasing you kind of way. Scary like about to get on a rollercoaster scary. Um because you don’t know how you’re going to feel through the process. But once you start, it’s incredibly liberating. You’re there and you forget. You forget all of the things that you put on yourself every day to hide the different pieces of you. And all of a sudden, you’re there. One hundred percent you, and you have no choice but to love yourself exactly as you are in that moment.

One of the things that I find when people ask me what I do and I tell them, I am a bodypaint model, is that they assume I’m in a club with a beer label painted across my chest. And that is not what I do at all. I’ve been in exhibits in the Whitney and it was amazing to be surrounded by art and also be part of art.

I love bodypaint because everything gets stripped away. One thing for me as a mental health specialist, I always look for ways for people to feel comfortable in their own skin. Um, I became a mental health specialist after years of battling my own mental health issues and depression. And one thing I find with bodypaint is that when you are standing there with another person, you are who you are to the core. There is nothing else on you, no clothes. You have a definition of yourself that you probably would never have because it’s just you stripped away. And not only that, you have no choice but to love yourself in that moment, exactly as you are and you can’t hide anything. You can’t, you can’t fake it. It’s not something you can fake or pretend. It’s just you, there in your barest of elements becoming something new and beautiful.

How To Create Incredible Body Art Using Liquid Latex Bodypaint (Guide)

There's nothing quite like bodypainting when it comes to playful and artistic expression. Latex bodypaint allows anyone to be transformed into a moving, living canvas! Creatives can harness this extraordinary material to create custom cosplay outfits, inspire sensuous photo shoots, or simply to create stunning, living sculptures. For those dreaming of mastering bodypainting for themselves, the following how-to guide will guarantee fantastic results. The only limit with latex bodypaint is truly one's imagination!

What Does It Feel Like To Wear Latex Bodypaint?

Liquid latex bodypaint dries on the skin, creating a breathable layer that moves with the wearer. Over the course of the initial drying process, the latex layer will shrink and tighten a little, which may briefly feel a little strange. This will result in a snug but stretchy bodycovering that is ready to be as dynamic as the person within it! After a few hours of wear, the skin's natural perspiration will cause the bodypaint to lift from the skin. At this point, latex bodypaint will feel more like wearing a tight latex glove.

Preparing For A Bodypainting Session

It is vital to do a skin test before beginning the full bodypainting process. Although unusual, an allergic reaction is not something that a bodypainting subject will wish to risk! Once confident that the bodypaint does not cause skin irritation, preparation of the workspace can begin. While easy to remove from smooth surfaces, latex bodypaint is not removable fabrics and carpets. Protective plastic sheeting can be used to avoid risk of damage to vulnerable furnishings and floor coverings. A warm, comfortable working area is wise, as latex bodypaint will not provide insulation, and the wearer will not want to get cold!

Making Sure You Have Everything You Need

The best tools for applying latex bodypaint are foam brushes and rollers. These will provide a much smoother and more even result than bristled paintbrushes. Spray-guns can also be used with liquid latex bodypaint, but it is essential to select one that is designed for large particulate liquids, and can be adjusted to a low enough pressure so as to spray gently onto the skin. When buying liquid latex bodypaint, a useful guide in terms of volume is one quart – or 34oz – of bodypaint for 3 layers on an average person. Anticipate aiming to complete 3-5 layers for an even, durable, and opaque finish

For the pre-painting stage of the bodypainting process, an aloe gel or water-based moisturizer is a must. Latex bodypaint is quick drying, setting on the skin in only one or two minutes depending on air conditions. However, with many layers to apply, a hair dryer might be a helpful addition to the artist's toolkit! On completion, a latex bodypaint finishing product will seal and secure the stunning body art that has been brought to life on the subject's body!

Preparing The Body For Bodypainting

While latex bodypaint will peel away easily from very light body hair, longer or thicker hair must never be painted. Prepare the area by shaving or trimming body hair that may cause complications. Eyebrows can be covered with a layer of Vaseline for easy removal later on. The visionary at work must resist the temptation to paint the hair on a model's head, as this will result in disaster! Once the skin is prepared, applying an aloe or water-based moisturizer will further assure that later removal of the bodypaint is effortless.

If the underarms are to be painted, poles that can be used to lean on will make the subject far more comfortable during the bodypainting process. It is essential to keep arms lifted, and legs and fingers apart from each other during painting. Latex bodypaint is tacky, and will stick to itself, causing stretches and tears. If the subject wishes to wear underwear during the painting process, latex bodypaint will bond to and dry on undergarments. It is important to note that latex cannot be removed from fabric afterwards! Wrapping the skin in plastic film underneath garments may be necessary to avoid the latex bodypaint soaking through and making contact with any hair that is underneath

Applying Liquid Latex Bodypaint

Once everything is prepared, the creative process can begin! Foam brushes of various sizes can be used to create detail, while rollers can be used to provide even cover over larger areas. Once a layer of latex bodypaint has been applied, it must dry completely before the next layer is started. A minimum of 3 layers will ensure solid and vibrantly colored results. If the body art in question is to be photographed, it's worth keeping in mind that bright lighting will make latex bodypaint appear more translucent. In such a case, apply more layers to avoid a patchy aesthetic. An excellent tip for those using neon bodypaints is to apply a white undercoat. This will assist in giving neon shades the most radiant, and dramatic impact!

Creating Intricate And 3D Elements With Molds

Liquid latex bodypaint is perfect for pouring into molds. This is a simple method to create raised shapes, fine edges and delicate details. Because latex bodypaint remains tacky once it dries, molded shapes can be applied directly to layers of bodypaint already on the skin. Begin by pouring liquid latex into the desired mold shape and allowing it to dry over 24 hours. Now turning attention to the bodypainting subject, a base coat of bodypaint must be applied and allowed to fully dry before molded details are added. At this point, the shaped latex can be carefully removed from it's mold and placed firmly in it's intended location. The two latex surfaces will bond instantly, so accuracy and patience are a must!

Finishing Latex Bodypaint For Perfect Results

Once the intended bodypainting masterpiece is manifested, finishing the latex bodypaint with an appropriate product is essential. Finishing products are available in spray or powder form. Some provide special finishes, such as shimmery or pearlescent effects. Finishing the latex bodypaint will ensure that it is no longer tacky. Without this step, the bodypaint will be vulnerable to sticking – either to itself, or any other surface. Finishers will provide ultimate durability, allowing the wearer to enjoy their spectacular latex outfit for as long as they desire! Because latex bodypaint is both breathable and comfortable, it can be worn all day without concern. Once of the magical elements of latex bodypaint for creatives is that the body art achieved is transient. It captures a moment, and exists only temporarily, making it a wonderful metaphor for the human experience

Removing Your Latex Bodypaint

In most cases, the wearer can simply lift the latex and peel it away. It is best to do this gently, and pause if there is any resistance. Stubborn areas can be removed with a cleansing lotion, oil based moisturizer, or gently released with warm soapy water in the shower. Always ensure that liquid latex is not washed down the drain as this can cause blockages. Once the subject has transformed back into their usual form, they will be able to treasure the memory of their body art experience. That is, until it's time to get creative with latex bodypaint once again!

8 Fascinating Body Painters to Follow on Instagram Now

Whether you are interested in body paint in general or looking to expand your Instagram feed with bodypainting artists, this list will be helpful. As one of the most known platforms for sharing pictures, Instagram is a good place to share body paint and makeup artworks.

This list will contain 8 Instagram pages of body paint artist with each their own background and experiences. Per body paint artist there will be a short description regarding their inspirations and styles, the person behind the art and what to expect of their Instagram. The list is in no particular order.

1.       Trina Merry

Instagram: @trinamerry
Follower count: 12,800 followers

Trina Merry is a world champion body painter who has worked on different projects, with a focus on blending people into nature or structure patterns.  Trina Merry has a studio located in New York City and Los Angeles. Her work can be seen on Instagram and on Youtube.

2.       Kay Pike

Instagram: @kaypikefashion
Follower count 266,000 followers

Kay Pike is body-painter, twitch streamer and cosplayer. On her Instagram you can see a collection of body painted characters from different videogames, such as Lara Croft from Tomb Raider, The Joker, and C3PO from the well-known Star Wars series.  The body paintings exist of detailed paintings in a corresponding vintage-cartoon style. At first sight you wouldn’t even notice that it is an actual person.

Every Saturday you can view her do a live painting session on her Twitch, which can be very entertaining to watch.

3.       Emma Fay

Instagram: @Emmafayofficial

Follower count: 2,270 followers

Emma Fay is a British body painter who is constantly looking to challenge your mind with a visual perception. Her body paintings are inspired by evolution, surrealism and symbolic expressionism. One of her well-known series, Marvels of Nature, exists out of animals painted on bodies combined with contortionism. Her Instagram exists out of process pictures and videos, her body paintings and exhibitions.

The work of Emma is used in exhibitions, media and live installations. Read more about Emma Fay her work on her website.

4.       Orly Faya

Instagram: @Orlyfaya

Follower count: 2,995 followers

Orly Faya has been travelling for the last 17 years, searching for the relations between humanity and earth, men and woman and especially what we all have with ourselves. Combined with her background in Anthropology, Orly Faya has expressed her experiences and her relations into a mix of body art, jewellery, photography and more. She is currently writing a book, but for now you can find her body paint art on Instagram.

If interested, you can buy her art through the website.

5.       Alexa Meade

Instagram: @alexameadeart

Follower count: 244,000 followers

Where you would probably confuse Alexa Meade her work with paintings hanging in an art gallery, you could see that there is an actual body painted person in her pictures. You might know her from her recent collaboration with pop artist Ariane Grande, were she did a body paint on Ariana Grande, while the musician was lying in an ocean of flowing paint.

Alexa Meade does something completely different however, mixing impressionism with body painting and modern-day styles and objects, such as cars and televisions. You can see her body paintings on Instagram and read more about her on the website.

6.       Paul Roustan

Instagram: @roustan[DM1] 

Follower count: 231,000 followers

Paul Roustan is an American body painter doing a wide variety of jobs. His style is referred to as contemporary art, known for its Technological and cultural diversity influences. Paul Rouston has been on national television with his body art. His Instagram consist out of a mixture of photos and process videos.

Just like a bunch of other body painters from this list, Paul Roustan takes care of the photography himself.

7.       Breanne Cooke

Instagram: @breannecooke

Follower count: 2,012 followers

Just like the earlier mentioned Kay Pike, Breanne works on cosplays. The difference between these 2 body painters are the inspirations. The art of Breanne is inspired by fantasy characters instead of videogames. Her Instagram contains body painted faeries, flower princesses, sea creatures and regular animals.

Besides her body paintings Breanne Cooke works as a graphic designer and even offers body painting classes on her website.

8.       Avi Ram

Instagram: @airbrushhero

Follower count: 721,000 followers

Known from his appearance on Skin Wars and Fresh Paint, Avi blends nature, religion and overall bright colours and brings it to life using an airbrush. Besides working as body painter with real life canvases, Avi offers his work on wall murals, portraits, apparel and more.

 Avi even started out in Israel bringing images brought in by his clients to life on t-shirts, were he later decided to teach his art skills to other people.

 He offers airbrush parties for kids besides his body painting and wall murals on his website.

This list of unique body painters will hopefully inspire you to even follow some of the artist. It is interesting to see how every artist is inspired by a different style or vision, and how this is brought to life with the body paint.

Did your favourite artist come by in this list, if not, who is it? Let me know!

 [DM1]

Bodies of Evidence: Living Art at Getty Villa

“Bodies of Evidence: Living Art” is a performance piece by Trina Merry, a body painter known for live demonstrations where she paints the bodies of performers to blend into their background. Trina Merry is one of the top names in body painters today. She’s studied with renowned artists including Robert Wilson, Marina Abramovic, and Alex and Allyson Grey. Through her work, she draws the attention of audiences to their surroundings and the human body with a fresh perspective.

On May 18th and 19th of 2019, Trina Merry painted model after model to blend into the views at the J. Getty Villa in Las Angeles. Using the beautiful architecture, interesting locations featuring interior design, and gardens as the backdrop she simultaneously erases and celebrates the human body.

A common thread through all of her work is the comparison of the natural curves of the human body next to the hard lines and set patterns of architecture and objects. This particular exhibit brings it to the forefront of one’s mind as the curves of a woman’s body are decorated with the structure and pattern of her surroundings. Through the painted lines that mirror the backdrop, she blends into the view around her.

The Getty Villa features architecture and art from the ancient world of Greece and Rome. There is, perhaps, no place more fitting for Trina Merry to draw this comparison of the human form with structure. The combination of statues that celebrate the natural human body interspersed through buildings that feature perfectly symmetrical and carefully measured architecture set the groundwork for such a juxtaposition.

Through her work, Trina Merry celebrates these centuries-old pieces that speak to mankind’s longlasting fascination with the body. The statues breathe life into her work and vice versa. Once the models have been completely covered from head-to-toe, their forms continually shift in front of one’s eyes to disappear in their surroundings and emerge again moments later.

As with all of her work, Merry invites the audience to view her process. Where most artists only present the finished product of their art, Merry includes the process as part of her statement. Instead of a static installation, viewers get a performance. They are able to watch as models take on the beauty of the art and architecture that surrounds them.

Trina Merry’s work is captivating and interesting for all, no matter the experience level with visual arts. Viewers can dive deep into the discourse of the human form and the consequence of the male gaze in art history, or they can simply enjoy her mesmerizing ability to create optical illusions. All are welcomed to view and engage with the performance. With open arms, Trina Merry’s work welcomes all to be more attentive to the space around them and consider the human form from a new, beautiful perspective.

Behind the Scenes | Have you ever blended into a plane?

What if you could blend into a commercial plane with your frequent flier miles like this older English man? In this body-positive, age-inclusive series, Trina Merry blends seniors into environments around UK & London.  One painting blends a senior male into a commercial plane on-site at the "Top Gear" track airfield and another blends a senior female in London into a phone box and moving a double-decker bus.

This PSA campaign was created for Age UK to spread awareness about the ageism of the 65+ seniors who are economically invisible in the UK.  Older people are routinely overlooked by commercial organizations. Product developers and marketers target young people and ignore this older crowd who are, according to research, are not only a viable fiscal demographic but  Baby Boomers are currently the largest consumers for travel & travel insurance in the UK. 

To dramatize the campaign, we created a series of striking body camouflage images with older models blending into commercial backgrounds to convey that as a demographic they are overlooked by businesses and society as if they are invisible and fading into the background. Through this powerful imagery, we hope to bring the implicit age bias to the forefront of society, so that it can no longer be ignored.

The purpose of the shoot is to highlight society's obsession with youth.  Maitland/AMO conducted two sets of research to support this. One set investigated the age cohort of different consumers in different sectors.  The other set looked at who the marketeers target as their bullseye demographic. This research proved that businesses disproportionately target their products and services at young people, even though older people make up a significant consumer group with more disposable cash.  The conclusion is that older people are becoming economically invisible to businesses.

About Age UK:

Age UK is the country's largest charity dedicated to helping everyone make the most of later life. We provide companionship, advice and support for older people who need it most.  The over-60s is the fastest-growing group in society and there are more of us than ever before.

Ageing is not an illness, but it can be challenging. At Age UK we provide services and support at a national and local level to inspire, enable and support older people.  We stand up and speak for all those who have reached later life, and also protect the long-term interests of future generations. We tackle loneliness, get older people active, and support people to stay independent for longer.

About Maitland/AMO:

Europe's leading financial, corporate & political communications consultancy providing trusted advice and strategic counsel.  We have the depth of experience to provide you with trusted advice on any communication issue you might encounter, whether your organisation is facing a barrage of press criticism, planning an investor roadshow or wants to launch a campaign involving a key piece of Government policy.

We provide company leaders and the heads of major organisations with the communications strategy they need to win over the audiences that matter most to them. We then advocate tirelessly for our clients among crucial opinion formers in the financial community, the media and the political world.

TRINA MERRY’S “OBJECTIFIED” PERFORMANCE + EXHIBITION OPENED AT THE UNTITLED SPACE ON TRIBECA ART NIGHT

“Objectified,” a performance and exhibition by renowned body painter Trina Merry, was on display November 14th-16th at The Untitled Space in New York. In these works, painted models acted as objects in sitting rooms. Some held flowers, acting as a vase, others held candles, wore lampshades, or held platters with cakes and candies.

On the 14th, viewers could enjoy a live performance as models posed with various objects to create new, impermanent scenes. Curling up on rugs or posing next to the couch, this performance invited the audience to engage with the subject matter more deeply. 

During the exhibition, Trina Merry also treated the audience to a peek behind the curtain of her process by painting models during the exhibit for all to see. Audiences rarely get to view the artist’s process live, so this was a truly unique experience.

In “Objectified,” Merry challenges viewers to consider the way that animate and inanimate objects work together to create a space. How much are we a part of our living spaces and why do we choose the objects that we do to inhabit these spaces? “Objectified” also explores ideas of consumerism, women’s rights, and identity in our current political climate.

Trina Merry is one of the top body painters of her generation. She has studied with the likes of Robert Wilson, Marina Abramovic, and Alex and Allyson Grey. Her work brings attention to stillness, silence, and space, using the organic and natural human form to juxtapose the hard lines in objects and architecture. 

Celebrated body paint artist Trina Merry presented her powerful exhibit and live performance “Objectified”  on November 14th at The Untitled Space. The exhibition (on view through November 16th) and performance was curated by gallery director Indira Cesarine and the opening coincided with Tribeca Art + Culture Night. Throughout the night, models covered head-to-toe in body paint enthralled the audience by posing with lampshades, cakes, and candles, as music played throughout the night, seamlessly communicating the artist’s statement. Visitors could watch as Merry painted the models, giving the public a rare glimpse at how an artist works.

The addition of the live performance added to the excitement of the evening. Guests were in awe of the models’ ability to contort themselves into tricky and unique positions. Everyone was appreciative of the chance to interact with the exhibit in a more impressionable way than just engaging with photographs on the wall, it brought the artists work literally to life. Wine and chocolates were served throughout the evening.

This year was the 12th edition of Tribeca Art + Culture Night, with 20 different venues putting on exhibitions, workshops, live performances, and talks. Over 200 artists and more than ten exclusive events were on view.

“Objectified,” a performance and exhibition by renowned body painter Trina Merry, was on display November 14th-16th at The Untitled Space in New York. In these works, painted models acted as objects in sitting rooms. Some held flowers, acting as a vase, others held candles, wore lampshades, or held platters with cakes and candies.

On the 14th, viewers could enjoy a live performance as models posed with various objects to create new, impermanent scenes. Curling up on rugs or posing next to the couch, this performance invited the audience to engage with the subject matter more deeply. 

During the exhibition, Trina Merry also treated the audience to a peek behind the curtain of her process by painting models during the exhibit for all to see. Audiences rarely get to view the artist’s process live, so this was a truly unique experience.

In “Objectified,” Merry challenges viewers to consider the way that animate and inanimate objects work together to create a space. How much are we a part of our living spaces and why do we choose the objects that we do to inhabit these spaces? “Objectified” also explores ideas of consumerism, women’s rights, and identity in our current political climate.

Trina Merry is one of the top body painters of her generation. She has studied with the likes of Robert Wilson, Marina Abramovic, and Alex and Allyson Grey. Her work brings attention to stillness, silence, and space, using the organic and natural human form to juxtapose the hard lines in objects and architecture. 

Artist statement on “Objectified” Exhibit and Performance:“Do the living spaces that surround us own us, or do we own them? My Objectified series poses these questions and allows viewers to come up with answers by creating a conversation within the self. What is all this stuff in my living space, and why do I choose these material items? There seems to be a sort of cohesive relationship built between animate and inanimate objects in the home. We want to entice you to explore four powerful examples of common living spaces that will come alive through human models fashioned with body paint.

About 14 years ago, I was accused by a conservative friend of objectifying women in my artwork. Since I collaborate with consenting (often enthusiastic) models & performers, I laughed and thought I’d delve deeper into the phrase “Objectified” and the domestic expectations that were being placed on me, questioning consumerism and identity. Now, at nearly 40 and having grown past many of these societal pressures, I revisit this series within the context of our current political climate to examine the historical female nude within the context of art history, issues of consent, laws that remove the freedom of choice women have over their own bodies, and social media censorship.”

Trina Merry is a leading body painter in a generation that emerged in the wake of the influence of Yves Klein, Yayoi Kusama, and Verushka. Merry studied with Robert Wilson and Marina Abramovic as a Watermill Center summer resident, creating five living bodypaint installations on site. There she absorbed their unique attention to space, silence in stillness and transported these applications in her work to the chaotic neon streets of New York and subsequently, the world. She has also studied with Alex and Allyson Grey on “Visionary Art and the Light Body”. She has crafted her own visual and conceptual vocabulary that emerged through her focus on the points of juxtaposition between the organic human form and the phallic hard lines of architecture.

Merry has performed and exhibited at The Whitney Biennial, Getty Villa, San Jose Museum of Art (with Andy Goldsworthy), Attleboro Arts Museum, ESMoA, Museo De Bardini (Florence), Edward Hopper House, Red Dot Miami, Superfine! Art Fair, Satellite Art Show, WORKS San Jose & SOMArts alongside the Guerilla Girls. Merry currently lives in New York City has a BFA in film.

• Event photography by Mikhail Torich and The Untitled Space

"I Got Bodypainted in Central Park"

Catherine commissioned me to paint her in the beautiful fall foliage of New York’s Central Park.  It was a special present for her husband but she really scored the gift of courage. Here’s an interview with her about that unique, bucket-list experience.

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Q: Did you know about body painting before your were painted?  What kind of bodypaint had you seen prior to seeing Trina’s work?

Catherine: I had seen Trina’s work because my friend is a model for some of her work in the Bay Area. I thought that it looked awesome and I felt like the works were empowering. The only other body painting I had seen at the time was at burning man 

Q: What did you love about Trina’s work? What was different about her work from other bodypaint you had seen?

Catherine: I think her works empower the subject (individual being painted) and promotes positive body awareness.

Q: What motivated you to reach out and do a custom bodypaint photoshoot with Trina?

Catherine: I have always been self conscious about my body and I wanted to get painted to push myself outside of my comfort zone and allow myself to be vulnerable.

Q; Why did you want to do an outdoor camouflage bodypainting versus say an indoor studio painting?

Catherine: I wanted to be in nature, I find it very grounding.

Q: Did you have any fears or reservations about getting painted?

Catherine: I was very nervous, I was afraid my body would look unattractive. Which is also why I wanted to do the painting, to confront my fears and embrace my body.

Q: How did you feel before the painting?

Catherine: Nervous.

Q: Did you Trina’s team prepared you as much as possible?  What did they do that helped you prepare?

Catherine: I had a nice conversation with Trina on the phone before we met that helped me learn what to expect.

Q: Many people haven’t been painted before but are very curious about the process.  What does it feel like to get painted?

Catherine: It was cold!

Q: What made you feel more comfortable during your painting process?

Catherine: I had two of my good friends there and they made me feel more secure about being naked in Central Park!

Q: How did onlookers respond to your painting session?  Any funny stories?

Catherine: We got some gawkers but nothing out of the ordinary.

Q: How did it feel when the painting session ended?

Catherine: Like I accomplished something and faced my insecurities head on.

Q: What is it like to remove the paint?

Catherine: I had paint all over the hotel bathroom!

Q: What did you think of the final image?

Catherine: It is great, it is a fond memory and it is something I am proud of.

Q: What do you think of your print?  Where did you hang it or who did you give it to?

Catherine: I gave it to my husband and it is in our bedroom.

Q: Would you get body painted again?

Catherine: Absolutely

Q: What is on your dream bodypaint bucket list?

Catherine: I would love to be painted in a redwood grove

Q: Do you think other people should try bodypaint?  Why or why not?

Catherine: Sure, everyone should try something once.

Q: Anything else you’d like to add?

Catherine: Thanks to Trina!

What is it like to get bodypainted at Lake Tahoe?

Kerri Schroder commissioned me to paint her in beautiful Lake Tahoe as a special present for her husband.  Here’s an interview with her about that unique, bucket-list experience.

Q: Did you know about body painting before your were painted? What kind of bodypaint had you seen prior to seeing Trina’s work?

Kerri: Yes. I was body painted at burning man a few times and I had been watching Skin Wars.

Q: What did you love about Trina’s work? What was different about her work from other bodypaint you had seen?

Kerri: I loved how beautifully she could camouflage the models into the natural backgrounds. Her work looked very organic and natural.

Q: What motivated you to reach out and do a custom bodypaint photoshoot with Trina?

Kerri: I looked for quite a while for the style of body paint I was looking for. I loved Trina’s work and also really wanted a women to paint me.

Q: Why did you want to do an outdoor camouflage bodypainting versus say an indoor studio painting?

Kerri: I was doing the painting for my husband as a surprise birthday gift. He loves Lake Tahoe and I thought it would be the perfect spot to do it.

Q: Did you have any fears or reservations about getting painted?

Kerri: Yes of course! It’s a little intimidating standing naked in public and getting painted. I was so nervous!

Q: How did you feel before the painting?

Kerri: Apprehensive, nervous and hungry!!

Q: Did you Trina’s team prepared you as much as possible? What did they do that helped you prepare?

Kerri: Yes they were very helpful…. I drove Trina crazy with all of my questions and concerns. She was very patient and answered all of my questions. She definitely made me feel comfortable.

(Note from Trina: She didn’t drive me crazy.   I always am happy to answer questions!)

Q: Many people haven’t been painted before but are very curious about the process. What does it feel like to get painted?

Kerri: When I was painted it was up in the mountains at Lake Tahoe in October… Needless to say it was really cold. Trina is incredibly fast. She gives you breaks when you need. The process is really very comfortable.

Q: What made you feel more comfortable during your painting process?

Kerri: Trina!!! She is an amazing kind beautiful soul!

Q: How did onlookers respond to your painting session? Any funny stories?

Kerri: We were up in a private spot in Tahoe but there was a couple of people there watching. My back was to them so I didn’t really worry about them. Just pretended they weren’t there! I was a little worried because they had cell phone and I just new naked butt was going to end up on the Internet!! Guess no running for office for me!

Q: How did it feel when the painting session ended?

Kerri: Very empowering!! I was so proud of myself that I actually did it!!

Q: What is it like to remove the paint?

Kerri: I had to drive down to Reno to my friends house to remove the paint. I got a lot of weird stares when I was driving there from people. I went to her house to remove the paint because it was a surprise for my husbands birthday.

Q: What did you think of the final image?

Kerri: Loved it!

Q: What do you think of your print? Where did you hang it or who did you give it to?

Kerri: Print is beautiful. It hangs in my bedroom. It’s my husbands birthday gift

Q: Would you get body painted again?

Kerri: Of course!! I really want to have Trina do another!!!

Q: What is on your dream bodypaint bucket list?

Kerri: I travel quite frequently and would love to have Trina paint be in some exotic location!

Q: Do you think other people should try bodypaint? Why or why not?

Kerri: Yes! It’s an amazing empowering experience!

Q: Anything else you’d like to add?

Kerri: Thank you so much Trina! You made this experience amazing! You made me feel comfortable and empowered! I love your energy and you light! Your soul shines through in every painting you do! I feel honored to have been painted by you and to have met you! I hope to be painted again soon!!!!

Four Elements Bodypaint: Maribel Cruz's Commissions

Did you know about body painting before your were painted?  What kind of bodypaint had you seen prior to seeing Trina’s work? Most of the bodypainting I've seen has been on TV and its always related into creating movie creatures in which the model is more of base not recognizable , but with Trina you know its you just a different version of you.

What did you love about Trina’s work? What was different about her work from other bodypaint you had seen? I love how her style is very realistic not all SYFI She uses nature elements although she is still able to make you feel like your being transformed into art.

What motivated you to reach out and do a custom bodypaint photoshoot with Trina? I became interested in getting a body painting done from my Kickboxing instructed that had shared some of the work he and his girlfriend had done with Trina,I was so amazed by how amazing the painting looked I asked for her web site information so I could reach out to her if I feel brave enough to do it. Now two painting done and two more in the works I'll say I love it.

• Did you have any fears or reservations about getting painted? Yes I was very nervous to be standing nude in front of someone I did not really know because I guess I was not comfortable with my body , but Trina made the whole situation very comfortable for me she explained everything and I know step by step everything that was happening in just a few minutes I was not even thinking about the fact that I was nude but I was engaged in the colors and styles Trina was using amazed at how she was able to turn me into a canvas.

• How did you feel before the painting?  I was very nervous yet strangely excited

• Did you Trina’s team prepared you as much as possible?  What did they do that helped you prepare? Aside from the detailed contract I also received a guided about bodypainting , that included everything from what to bring for the paint to how best to have your hair and what snacks are best so that you can stay feed and most importantly hydrated during the process.

• Many people haven’t been painted before but are very curious about the process.  What does it feel like to get painted? Its not scary at all , you just have to clear your mind and focus on the experience which is different for everyone.

• What made you feel more comfortable during your painting process?  I would say what made me comfortable about the whole process was Trina she is such a kind and genuine person , very down to earth it felt like I was hanging out with one of closest friend .

• How did it feel when the painting session ended?  I was very excited to see my finished print but sad the session ended

• What is it like to remove the paint? Actually removing the paint was quit easy soap and water took it right off and it did not irritate or dry my skin.

• What did you think of the final image? with both painting I've done so far the final piece was so much more then I had imaged I was transformed into a beautiful piece of art .

• What do you think of your print?  Where did you hang it or who did you give it to? I love my print , it was the perfect size to get framed and display in my bedroom , I also got a smaller print so I could give to my Boyfriend he loved it .

• Would you get body painted again? Yes of course in fact I have another painting scheduled for September

• What is on your dream bodypaint bucket list? I want to be transformed into a Dragon Mother with a background of a dark castle with a huge dragon flying above me.

• Do you think other people should try bodypaint?  Why or why not? I believe everyone should at least try it once in their lives, its a very liberating experience that just makes you feel alive and beautiful, it's a chance to see yourself in a different light with no restrictions. I have recommended to a few people in my life.

• Anything else you’d like to add? I believe getting a piece done by Trina Merry is a most do. Her prices are reasonable considering the amount of talent, time and passion she puts into every piece regardless if its a private piece or commercial ,she give each piece the same amount of professionalism and magic . Amazing Artist

Body Positivity in Seattle

Did you know about body painting before your were painted?

Not before I met Trina through Facebook did I know camouflage painting was a thing.

What did you love about Trina’s work?

I love her uniqueness, and her raw talent, and her unbelievable speed! It only took her two and a half hours from start to finish.

What was different about her work from other bodypaint you had seen?

I had honestly never seen bodypainting like Trinas before I stumbled across her on Facebook.

What motivated you to reach out and do a custom bodypaint photoshoot with Trina?

I saw a Facebook post my cousin was in where Trina had painted her and that’s when I learned about camouflage painting and I probably spent 2 hours after that looking at all her work before I even messaged her for details.

Why did you want to do an outdoor camouflage bodypainting versus say an indoor studio painting?

At first I did want an indoor session (I was totally dreading being nude in public) but the more I looked at her work the more I fell in love with her camouflage paintings and I figured “Go big or go home!”

Did you have any fears or reservations about getting painted?

I did, I’ve always been so self-conscious of the way I look, and I think it was mostly not wanting to have strangers look at me naked, and that mine may not turn out as good because I consider myself bigger.

How did you feel before the painting?

The day before and the day of I was really excited and nervous and wasn’t really sure what to expect.

Did you Trina’s team prepared you as much as possible?

Yes, they were amazing, they had a whole list of things to bring and not forget and Trina even texted me the day of to add to the list of things to bring.

Many people haven’t been painted before but are very curious about the process. What does it feel like to get painted?

It was very cold and it was a little difficult to stand still in one spot for so long but Trina was great about making sure I was comfortable and giving me pauses when I needed them.

What made you feel more comfortable during your painting process?

It was really helpful to me to hear how great it was looking and her telling me to forget about the looks I was getting from people.

How did onlookers respond to your painting session?

It was super weird at first; like super weird everyone looking at my naked body making comments (some good and some not) getting pictures taken of me from strangers was super weird too but the longer I stood there the more confident I became with it and the less it bothered me. By the end, everyone wanted to take pictures of me and with me.

Any funny stories?

There was this one couple at the park we were at getting engagement pictures taken Trina had just finish painting me and they walked up asking if they could get a picture with me! I will forever be in their family picture album!

How did it feel when the painting session ended?

I felt amazing, it was the bravest thing I have ever done and it was so empowering and liberating. I never liked the way I looked (especially nude) until that day!

What is it like to remove the paint?

It was a very long shower! I’m pretty sure I used all the hot water, but I didn’t have any paint stains on me the next day so that was awesome!

What did you think of the final image?

I absolutely love it! It completely outdid my expectations and I love looking at it every day.

Where did you hang it or who did you give it to?

I’m currently waiting to get it framed but I already picked a spot on the wall above the TV where I’ll hang it.

Would you get body painted again?

Absolutely in a heartbeat! I think it’s like getting a tattoo; they’re so addictive you cant stop at just one! Trina was so fun to work with and I’ve already started saving for my next session.

What is on your dream bodypaint bucket list?

I would love to get painted into all the major cities across the US! I think that would make the coolest picture album ever!

Do you think other people should try bodypaint? Why or why not?

I think everyone should try it at least once in their life! I know it’s probably not for everybody but I think it would give people an amazing outlook on how beautiful their bodies truly are! Everyone deserves to love to body they're in, and this completely made me rethink how I see myself; I can’t wait to do it again.

So I got kicked out of the pyramids for making art...

Some people just don’t appreciate art. To them, the Mona Lisa is just some girl trying not to smile. Michelangelo’s David is just a naked dude carved out of clay. And apparently to others, bodypainting is…well, enough to get me kicked out of the pyramids…

I thought the idea was not only perfectly harmless, but I’ll admit, a bit brilliant as well. Picture it…the naked chiseled figure of a man whose proportions were painted perfectly and properly positioned so that his torso blended in with the beautiful blue sky above and parts of his legs and arms allowed the rest of him to disappear into the backgrounds of the neighboring pyramids. 

Once the painting was complete, we made the trek to the first of three checkpoints to gain access to these mighty structures for what was surely going to be an EPIC day.

The Egyptian guard was imposing as he glared at us, perched high atop his camel, covered completely in white, except for a black cap that designated his position, and that he was not there to mess around. I’d heard stories about supposed corruption among these types there at the pyramids and, not one to take chances with authority figures in foreign countries, had left my passport at the hotel and shoved my SD card down my bra. (classy, I know, but effective.) 

He looked me over fiercely, but when his eyes took in the brilliant blue figure that was Kyle (my painted model) he spoke…well BOOMED at us:

“Passports. Camera. Now.”

I quickly came to the conclusion that if we handed over the goods, it would be the last we would see of them. I firmly shook my head no and let him know that we wouldn’t be rattled. His tanned face must have turned 3 shades of red when he realized we weren’t going to be easily taken.

“You give me 1000 American dollars.”

Ahhh, a bribe so that he would look the other way at Blue Kyle as we scoot on through to the next checkpoint, which left me wondering what the heck THEY may demand from us there!

“$1000 huh? What do I get for all that money? A necklace? A pyramid keychain? Maybe a shrunken replica of the Sphynx?”

I could hear Kyle snicker, and the look on this guard’s face told me that it’s not likely he had dealt with many women talking back at him, much less mocking his attempt at theft. (after a day spent with various hustlers and seedy “local gentlemen” offering to buy me form Kyle for as many as a million camels, which was flattering, I was pretty sure this was the case.”

I held steadfast, looking ahead, trying to look through him towards our goal, hoping that he would simply relent, and we would be on our way.

“Fine. YOU. GO. NOW!”

He was pointing…not towards our path forward, but back the way we came. It was then that it suddenly hit me…This guy probably just isn’t a big art fan.

And that’s…how I got kicked out of the pyramids for bodypainting.

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Read More about the "Lost in Wonder" camouflage series, created at the Seven Wonders of the World:

• PBS

• Business Insider

• Huffington Post